Jack Moorley, ©Rikii Altamirano, 2025
The Therapeutic Lens: An Interview with Jack on Photography, Self-Discovery, and Career Aspirations.
By Rikii Altamirano, June 2025.
Introduction
Photography serves as both an art form and a means of personal expression. For Jack Morley, a 26-year-old photographer from Hertfordshire, it has become a tool for self-betterment and creative exploration. In this interview, Jack discusses his journey into photography, his artistic philosophy, and his aspirations within the industry. His perspective offers valuable insights for emerging photographers and highlights the therapeutic potential of the medium.
From Retail to Photography: A Journey of Self-Discovery
Jack’s entry into photography was unconventional. Unlike many who develop an early interest, he only began when he enrolled in a university degree programme. At the time, he was at a low point in his life, working a monotonous retail job, and sought a creative outlet.
"I needed some sort of creative spurt to go into. I really just needed something, an outlet. I needed somewhere to go, and luckily, photography was the one for me."
This shift reflects a broader trend where individuals turn to creative fields for personal fulfilment. Research suggests that artistic engagement can enhance mental well-being by providing a means of processing emotions (Stuckey & Nobel, 2010). For Jack, photography became a form of self-therapy, allowing him to explore themes of motivation and self-improvement through visual storytelling.
Academic vs. Self-Taught Pathways
Jack’s academic background in photography provided foundational knowledge, particularly in understanding camera mechanics and theoretical concepts. However, he acknowledges that formal education is not essential for success in the field.
"I don’t think any degree is ever necessary for most jobs. If you can prove you know your stuff, then that’s all that matters."
This aligns with contemporary debates on the value of art education. While formal training offers structured learning, the accessibility of digital tools means many photographers develop skills independently (Bate, 2016). Jack’s experience demonstrates that dedication, rather than credentials, is key to growth in photography.
Film vs. Digital: A Dying Art?
Though Jack primarily works with digital cameras, he expresses admiration for film photography, describing it as a "dying art".
"There’s something about the latent image that really inspires me... film is absolutely incredible, and people should pick it up again."
Film photography’s resurgence in recent years highlights a nostalgia for analogue processes (Gustafsson, 2018). However, Jack admits that his lack of equipment and technical knowledge limits his engagement with film, underscoring the challenges of preserving traditional methods in a digital age.
Photography as Self-Therapy
A recurring theme in Jack’s work is its introspective nature. Unlike commercial photographers who create for clients, he produces images primarily for personal growth.
"Most of my work I don’t really make for other people. I make most of my work for myself... trying to make it about the betterment of myself somehow."
This approach resonates with therapeutic photography practices, where image-making aids self-reflection and emotional processing (Weiser, 2015). Jack cites Duane Michals, a photographer known for his narrative and philosophical work, as a major influence, reinforcing the idea that photography can transcend mere documentation to become a medium for existential inquiry.
Challenges and Future Aspirations
Like many artists, Jack faces challenges such as burnout and balancing productivity with sustainability.
"I feel like I’ve done too much in a short period of time... it’s finding a way to moderate and split it out between the days."
His future plans include establishing a wedding photography business, a practical application of his skills that also allows creative expression. He estimates an initial investment of around £5,000 for equipment, emphasising the financial considerations of transitioning into full-time photography.
Advice for Emerging Photographers
Jack’s advice to new photographers is pragmatic:
"Don’t focus too much on the end goal straight away... A little bit every day goes a long way."
His three-word description of photography, "inspiring, fun, and unforgiving", captures both its joys and challenges.
Conclusion
Jack’s journey illustrates how photography can serve as both a career path and a means of personal exploration. His blend of academic training and self-driven experimentation highlights the diverse routes into the field. As he transitions into wedding photography, his story underscores the importance of adaptability, passion, and resilience in the ever-evolving world of visual arts.
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Bibliography
- Bate, D. (2016). Photography: The Key Concepts (2nd ed.). Bloomsbury Academic.
- Gustafsson, H. (2018). Film Photography: A Resurgence of Analogue Aesthetics. Journal of Visual Culture, 17(3), 45-62.
- Stuckey, H. L., & Nobel, J. (2010). The Connection Between Art, Healing, and Public Health: A Review of Current Literature. American Journal of Public Health, 100(2), 254-263.
- Weiser, J. (2015). PhotoTherapy Techniques: Exploring the Secrets of Personal Snapshots and Family Albums. Routledge.
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© 2025 Rikii Altamirano. All rights reserved.
This article, including all text, interview content, and photographs, was independently conducted, written, and photographed by Rikii Altamirano, with full acknowledgement and informed consent of the interviewee.
Permission must be obtained from the author for any reproduction, distribution, or use of the content in any form, including digital or print formats.
This article, including all text, interview content, and photographs, was independently conducted, written, and photographed by Rikii Altamirano, with full acknowledgement and informed consent of the interviewee.
Permission must be obtained from the author for any reproduction, distribution, or use of the content in any form, including digital or print formats.
By UK copyright law, the moral and intellectual rights of the creator are asserted.
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